Victor Turner's and Arnold Van Gennep's Contributions to the Theory of
Ritual
For Van Gennep rites of passage were chiefly ways of providing an orderly way to achieve changes in social status, without challenging the underlying symbolic structure of the community. Turner did not reject this, but also suggested that humans may have an inherent need for the experience of "liminality" of being in a kind of "time out of time." Moreover, Turner noted that society incorporates two contradictory demands: a demand that people join together and a demand that people remain somewhat separated in particular social categories (men, women, kings, subjects, etc.). In the liminal phase of ritual, Turner argued, where social distinctions are sometimes ignored or even reversed, people could experience bonding and even make negative comments on social structure. One of his famous examples involves female initiation among the Ndembu of Zambia, in which the girl being initiated lies motionless under a blanket, while men and women line up on either side of her and shout insults at each other, and praise the pleasures of adultery and vilify the demands of marriage.
Turner links life crisis rituals (e.g. birth, marriage initiation and death rituals) to other, less predictable social dramas, such
as witch crazes. Social dramas encapsulate crises which erupt because of underlying conflicts in social premises - specific
conflicts such as those between duty to one's husband and matrilineal obligation and the general conflict between
community and the divisive effects of social structure. Important symbols in ritual, magic, witchcraft beliefs, etc. draw
upon the human capacity for liminality, and encompass social, emotional, environmental and cognitive elements. Turner's
famous analysis of the symbolism of the colours red, white and black in Ndembu ritual , and cross-culturally is an example
of his mode of analysis. In this analysis, red, white and black stand for body substances (milk, semen, feces, blood) and for
moral qualities (purity, death, witchcraft, ambiguity, depending on the colour) as well as for social categories (white
standing for motherhood, ideal matrilineal descent, red for conflict in adult male life, etc.). Red is an especially
ambiguous symbol because both male and female blood come in good and bad forms -- blood of hunting and murder for
men, blood of menstruation and childbirth for women. The witch, in Turner's terms, would be a liminal creature and the
process of suspicion, detection, accusation and cure a social drama, or liminal event, analogous to other types of
rituals.That is why I have placed a chart of the European witch hunts as a social drama in the European Witch Craze
module. The key features of liminality--heightened emotion, suspension of the rules of normal life, centralization of the
marginal-- are present in a witch hunt, a life crisis ritual, or a really wild party. Not all of these occasions have the same
results, of course - sometimes social dramas result in irreparable schism, sometimes in renewal or major social change,
sometimes adjustment or perpetuation of the status quo. This course provides you with examples of all of these results.